What's on my mind lately.
I’d installed a Fediverse WordPress plugin a while back but it wasn’t publishing at the time, but apparently an auto-update fixed whatever wasn’t working – here’s a hello world to anyone paying attention on Mastodon/Fediverse/etc! It’s very likely I may redirect my other account here as I’d far prefer to manage my own server instance,
-> Continue reading Fediverse, ahoy!
This beautiful short film is so painfully real for me it’s hard to watch without getting clenched up. Getting a second chance at life was a precious gift, but damned if I’m not already bombing bikes again for exactly these reasons. The first minute of dialogue alone is a nearly verbatim transcript of internal dialogues
-> Continue reading Mountain Bikers on Crashing
I was so proud to be part of this lovely single on both bass guitar and aerial footage. Happy Mothers’ Day to all the mamas who put in their love, energy, and patience day in, day out. All our love.
Once more for the record, I’m an adrenaline addict. No talking my way around that, either – it’s a fact. I jumped out of planes for years, my most brutal injuries have been willingly self-inflicted, and the feeling of calm and peace after huge adrenaline surges is one of my most favoritest feelings in the world. Ever. I love flying through the air more than standing on the ground. Despite the risks.
Y’all. We’ve got a brand new single/video for ya today! “Still Keep Coming Back” was one of the first songs we worked up for the Crazymakers recording sessions last year, and it’s still one of my favorites to play. The video shoot for this one was a hoot – we spent all day in a
-> Continue reading New Crazymakers Single – “Still Keep Coming Back”
Fresh music today – a live video take of a previously unreleased track, “Just Can’t Get Enough”. Cause sometimes you just can’t.
The song was recorded a few months back at the Ojai Underground Exchange. My bass tone is my beloved Fender Jazz 5 with a little Darkglass B7K Ultra fuzz/distortion inserted firmly into an Aguilar Tone Hammer 500. Tight, low, and a little bit crunchy, I was dialin’ for something like dub/reggae after a hot-box session. 🙂
Aw, yeah. A beautiful re-imagining of an old classic you might remember. Iggy sings her heart dry on this one, and it’s a contender for my favorite of the 18 tracks I worked on in the studio with the lovely Crazymakers last year.
That said – to give major props where props are due – the bass tracks on this cut are, I believe, from the original demo and come from the amazingly talented instrumentalist/producer/etc David Franz (and fit beautifully alongside his wonderfully understated drum tracks). I’ll be pleased to play it for ya live, natch.
Enjoy and spread the joy, my lovelies…
Although the EP has been out for a few months now to great reviews, the Crazymakers just released the first official single/music video from our upcoming full-length album – the first of three videos shot over the holiday season. I really dig this song’s groove and feel, and Iggy’s lyrics and vocals really seal the deal for me. Click thru for the video – hope you enjoy watching and listening to it as much as we did making it. If you dig it, we’d be truly honored if you share amongst your friends and family – help us spread the love!
You can also get more info and download the entire EP from our website at iggytandthecrazymakers.com, of course. Keep posted for gig updates and new tracks/videos – much to come in the next few months, for sure.
It’s easy to fall victim to the stereotypes of the working musician – for both the musician and fan alike. A life of public adulation, excess, and grandiosity (is that a word?). The exquisitely tortured artistes extracting beauty from life’s poignant moments all gypsified and moving nomadically from town to town. But the reality of a career in the creative segment is more blunt, and there’s entire curriculums of required knowledge they didn’t teach me in music school. The kind you have to skin your knees and bloody your nose to learn. The dirty secret of the game is that it’s not good enough to be a talented musician or artist- you gotta be a warrior in both practice and spirit if you wanna live the life longer than a year or two.
We’d had spotty electricity all day due to an automobile accident up the street taking out a power line, so when the lights started flickering back on and off Monday evening my son and I figured maintenance was still in progress. The sound of helicopters in the distance were a bit non-standard, but we still tucked in and went to sleep anyway – not knowing that the Thomas fires now ravaging the area were the new reason for the outages. It wasn’t until the sun peeked up and shone a blood-red glow into my bedroom that I realized things had gone seriously sideways while we slumbered.
I was a really disorganized kid. My room looked like a war zone, my internal clock was always about 30 minutes late, and my life was a series of minor emergencies strung together by random chance. I spent so much time trying to keep up with my day-to-day responsibilities that my bigger life goals seemed completely out of reach.
By the time I hit my twenties, the frustration of always feeling behind and overworked reached a breaking point, so I started searching for a solution. What I found were countless productivity philosophies and tools that promised to organize my life.
The Ableton Push is a super-flexible songwriting tool and its Drum sequencer view is particularly helpful for building out beats quickly. But when you add a third-party drum plug-in to a MIDI track, Push only gives you its general melodic keyboard interface, not the super-handy Push drum pad and sequencing interface. If you want to use a third-party drum module like NI’s Battery or Toontrack’s Superior Drummer with Push’s drum-programming interface, you’ll need to follow a few simple, but often-overlooked steps.
Today would have been my nephew Jesse’s birthday. We lost him due to still-undetermined medical reasons in his sleep, late last year. The unexplained cause of his death makes it all the more unsettling, unresolved. I’ve had to process a lot of loss over the last few years but Jesse’s death may have been the final straw, bringing me lower than I’ve been in decades. I write to heal, and this is no exception. However, I’m writing this a few days earlier and scheduling it, as my hopes are to be somewhere along the coast with Devin at sunset to wish Jesse a happy birthday by the ocean he loved so much.
If there’s one title that should be on my gravestone, it’s ‘bassist’. I know this, it’s the foundation of who I am. But I’ve got to admit a dirty secret – being relegated to 4 (or more commonly, 5) strings isn’t enough to quell my need to learn. Musical cross-training is my new jam. And I’m not sure I can stop.
I woke up suddenly around 3:30am this morning. It wasn’t just a minor stirring amidst the sheets, a quick mid-sleep water break or dazed round-trip to the bathroom. My eyes came fully open and my head was clear, although my thoughts were anything but. I’d gone to bed early after my Sunday rehearsal and a quick dinner. However, despite pleasant company throughout I felt unsettled and withdrawn the whole evening, and not in a particularly social mood. Some words I’d spoken still hung in my ears:
“I feel like a stone in the eye of a tornado. Like I’m barely holding onto balance while everything around me goes crazy. And I mean batshit crazy.”
At that moment, I hadn’t made any connections between that phrase to any other particular event or circumstance. There’s been an awful lot on my mind over the last couple years, and I know at times things have seemed a little scattered. It’s been sometimes hard to put a finger on exactly which brush fires are causing me the most heat, generally speaking. But when I looked at the calendar again things started to come more into focus.
Is a traditional college degree enough to compete in today’s workforce? A recent Today.com article suggests that potential employers aren’t just looking for targeted skills. They want a broad set of skills that reach beyond your job-specific role into business, analytical, and interpersonal areas. Being an expert in your particular field of knowledge is critical—but here are 5 complementary skills that potential employers also consider valuable.
It’s the opening day of Winter NAMM 2017, the music gear event of the year for most musicians I know. Vendors roll out their latest drool-worthy instruments and gear. And there’s a name for the affliction many musicians emerge from NAMM with – Gear Acquisition Syndrome (GAS).
Umm… Gear Acquisition Syndrome?
Yep, it’s a thing. GAS’s key symptom is a relentless drive to grab your wallet and upgrade all your instruments, gear, and accessories to the shiny new hotness you’ve just played with. When it comes to GAS afflictees, I’m pretty much a poster child – so it’s a good thing that I’m not attending in person this year. Restraining my wallet hand is getting easier with age, but from early signs we may need medics at NAMM this year. It’s gonna be a gear acquisition syndrome outbreak!
Here’s my first two candidates for ‘wallet magnet of the week’.
I’ve installed Badass high-mass bridges in every bass in my collection that will take them. Why? I love ’em to death for their beefy sustain and definition. That said, they often come without string slots cut. This doesn’t exactly make them a drop-in mod, they’ll need some handiwork to install. I avoid the pre-slotted bridges, as cutting them yourself allows you to get a perfect string spacing and fit for your particular bass. If you’ve got an unslotted Badass bridge (or one of the recently-available Omega bass bridges from Allparts, which from what I can tell are exact replicas of the Badasses, even constructed w/zinc), here’s a rundown of how to install them.
UPDATE: re-edited this in January 2017 to add pictures (finally!) from a new build. Also note- if you’ve got an Omega bridge, these steps should also work.
I recently experimented with an improvised bass loop using a T.C. Electronics Ditto looper pedal I’ve had sitting around for a while. Of course, it was tons of fun. I originally bought the pedal to run simple bass line loops at the front of my pedalboard. It’s helpful for fine-tuning tones and settings without having to play bass at the same time. However, so far I’ve only used it as a test simulator in the studio. I’d secretly been wanting to play around with it more creatively for a while. I wish I hadn’t waited, as live looping is a ton of fun!
Accordingly, I took the plunge and improvised a quick composition live on the spot. One pass, under a camera’s eye, with the record light on for a bit of pressure. Enjoy!
There’s an old saying: Nothing ruins a great video like lousy audio. And when using consumer cameras, you’re often stuck with a less-than-optimal microphone to begin with. But if you have a reasonably modern smartphone, you have all you need to record great audio wherever you might be. Here’s three simple tricks I rely on regularly to help you get the most out of your smartphone, and capture awesome sound on your next project.
I always look forward to January, and my annual trip to the NAMM show in Anaheim to gawk at the cutting edge of music hardware (and software). When I realized my schedule wouldn’t get me to NAMM this month I was bummed, but kept my ears and eyes peeled online. Despite no significant time on the show floor this year, there were a few announcements and developments at NAMM 2015 that still caught my attention. It should come as no surprise that I’m rather focused on effects & amps for guitar & bass. Here’s my video post-NAMM wishlist, with commentary.
From DayRunners to Franklin Planners to Palm Pilots, Handspring Visors, Android and iOS phones and tablets and more, I’ve regularly pushed the boundaries of the tools I had on hand to make organizing my life as minimal and frictionless as possible. However, the basics of personal productivity transcend technology- and are much more about routine and discipline. Without discipline and consistency, any productivity strategy will fail. Here’s the simple tactics I use to keep life on the rails – whether on paper or electrons – and how you can do the same for your own life.
Surfing certainly didn’t come easy for me. But it stuck, and I sometimes get asked why I still surf after all these years. Recently a friend wrote a column on just that topic, and I tried to explain my saltwater jones to her–but had a hard time finding the words. It’s time to take another swing at it.
Knowing others is intelligence; knowing yourself is true wisdom. Mastering others is strength; mastering yourself is true power. If you realize that you have enough, you are truly rich. If you stay in the center and embrace death with your whole heart, you will endure forever. – Lao Tzu
It’s been a long time since I’ve had my ass handed to me. Last month I got the comeuppance I’ve been due for quite some time, and it’s been incredibly humbling. I love to mountain bike, and in particular jump and hop said mountain bike around, between, and over obstacles both large and small. The feeling of flight and weightlessness is something I’ve chased since my skydiving days, and frankly, only get to experience when leaping a bike these days. Having been a rider for most of my life, this type of risk is really nothing new or unexpected for me. I’ve been doing it for so long I take my skills for granted, as the feeling of flight, speed and weightlessness are as close as I can come to feeling superhuman.
However, on October 12th of this year I took what was to be a simple, innocuous ride up and back on the coast- which ended in utter disaster. Approaching one of the many ravines I traverse on this trail, I really didn’t feel differently- no sense of foreboding, hesitation or even concern- I’d jumped off this particular ledge so many times that it’s almost become reflexive. A quick bunny hop off the top and I was floating over the edge, slowly rotating my center of gravity to match the angle of the transition 18′ below me. But as time compressed and weightlessness engulfed me, I knew in my gut something was wrong. The bottom of the hill had been churned up from the normal hard-pack and was instead loamy and soft. The angle I took over the edge had me going a few degrees left of my usual line, and despite a last-ditch effort to push my rear wheel out and down to adjust and shift landing weight off my front wheel, it still dug into the soft dirt and washed out just as I flipped my heels to pop the clips and get free of the bike, and everything went wrong. Horribly wrong.